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MSP Tutorials - Table of Contents
Topics
Introduction
How Digital Audio Works
How MSP Works - Max Patches and the MSP Signal Network
Audio I/O - Audio input and output with MSP
Tutorials
MSP Tutorial 1
- Test Tone
MSP Tutorial 2
- Adjustable Oscillator
MSP Tutorial 3
- Wavetable Oscillator
MSP Tutorial 4
- Routing Signals
MSP Tutorial 5
- Turning Signals On and Off
MSP Tutorial 6
- A Review of Fundamentals
MSP Tutorial 7
- Additive Synthesis
MSP Tutorial 8
- Tremolo and Ring Modulation
MSP Tutorial 9
- Amplitude Modulation
MSP Tutorial 10
- Vibrato and FM
MSP Tutorial 11
- Frequency Modulation
MSP Tutorial 12
- Waveshaping
MSP Tutorial 13
- Recording and Playback
MSP Tutorial 14
- Playback with Loops
MSP Tutorial 15
- Variable-length Wavetable
MSP Tutorial 16
- Record and Play Audio Files
MSP Tutorial 17
- Sampling Review
MSP Tutorial 18
- Mapping MIDI to MSP
MSP Tutorial 19
- MIDI Synthesizer Control
MSP Tutorial 20
- MIDI Sampler Control
MSP Tutorial 21
- Using the poly~ Object
MSP Tutorial 22
- MIDI Panning
MSP Tutorial 23
- Viewing Signal Data
MSP Tutorial 24
- Oscilloscope
MSP Tutorial 25
- Using the FFT
MSP Tutorial 26
- Frequency Domain Signal Processing with pfft~
MSP Tutorial 27
- Delay Lines
MSP Tutorial 28
- Delay Lines with Feedback
MSP Tutorial 29
- Flanging
MSP Tutorial 30
- Chorus
MSP Tutorial 31
- Comb Filter
Compression Tutorials
MSP Compression Introduction
- What is Compression?
MSP Compression Tutorial 1
- Peak Limiting
MSP Compression Tutorial 2
- Basic Compression
MSP Compression Tutorial 3
- Tweaking Compression
MSP Compression Tutorial 4
- Compression on Real Instruments
MSP Compression Tutorial 5
- Multiband Compression 1
MSP Compression Tutorial 6
- Multiband Compression 2
MSP Compression Tutorial 7
- Keying
MSP Compression Tutorial 8
- Microsounds
MSP Compression Tutorial 9
- Ducking
MSP Compression Tutorial 10
- Controlling Feedback